Asere Volkskrant review

Despite various changes in line up, Asere still remain one of the most interesting Cuban groups. Ever since the group originated, they aimed to play modern versions of traditional styles, like “son”. Also pop, jazz and other genres have been incorporated – on the latest album of this septet you can even hear a hint of reggae.
Familiar elements have stayed, like the clavé, 3/4 – 4/4 measure changes (often indicated by those sticks), and the question- and answergame between singer and group. Left out is the machismo, leaning on clichés of the old ‘septeto’s – even though there are tributes to heroes of the past like Henry Fiol and Beny Moré. Added are beautiful, creative lines for bass, piano and drum, and elaborated refined vocal harmonies – which pays off in a rich mix of sounds.
Their musical leader is Michel Padrón. He excels in the instrumental pieces in dialogue with the flexible, flamenco-like guitarplay of Andres Valdés and the crying violin of Alexis Lefevre. This diverse album is a delight for everyone who thinks Cuban music ends with the Buena Vista Social Club.